Call for . . . Actors!


scene from The Pillowman– you need dentures to chew scenery like this–carpe diem!

Says Katy Helbacka of Renegade Comedy Theater:

‘The Pillowman’ holds auditions on Monday, August 25 at 7:00 at the Teatro Zuccone.
Actors should prepare a storytelling monologue, and be prepared to do some cold readings.
We are looking for 5 men, 1 woman, and a young looking girl and boy.

‘The True Story of the Three Little Pigs’ is also still looking for two women who can sing! If you are interested in auditioning, please call 722-6775 to set up a time.

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Blues on Friday Night: Big Voices, Big Ships


shemekia copeland

The blues on Friday was lovely in ways totally distinctive to the site: a summer evening with a half-moon and no mosquitos–where else in Minnesota can you find that? And in the middle of Shemekia Copeland’s showstopping version of her dad’s song "Ghetto Child", a thousand-foot ore boat moved like a ghost under the bridge and behind the stage, slipping its interminable length through the music and letting loose a deep, dark whistle blast: the only possible competition for Copeland’s big voice.

The bluesfest is just gearing up, getting the momentum that’ll carry it through the weekend with flags flying–literally. All those chair flags are popping up, from the muscleman doll holding a little American flag to the red-lit black-lace bra to the windsocks and colored spinners and the pinata and the pink pig.

Next year, Friday will be the new Thursday, in a way–the Blues Festival organizers are dropping acoustic Thursday in favor of a bigger commitment to acoustic music throughout the remaining three days. And I’m thinking that Friday will take over that beginning feeling that used to be Thursday’s aura. There was still some of that today, especially toward the end of the day, when people were drifting back to the little blue city of RVs that springs up in the DECC parking lot, the hum of nomadic life going on like it has for thousands of years not so differently from this era.

Saturday will be a big day, and the weather is making a lot of promises. Every stage has got good acts coming up. The Jack Daniels stage will host Brandon Scott Sellner, a young Minnesota musician who’s been making Duluth a second home lately, it seems, and the main stage Hoopsnakes reunion show (2:40) should be great fun. The Bob Bingham / Gordon Thorne set in the Acoustic Tent at 3:45 ought to be of special interest–these two collaborators are not typical touring pros. Bingham’s a co-founder of the Cranstons and a convert to acoustic country blues. Thorne’s from the north, a carpenter who plays ragtime. Their collaborations are something to look forward to. And of course there’s those Fabulous Thunderbirds, headliners on the main stage at 8.

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Bluesfest Thursday night: the Reverend Raven

After seeing Bobby Rush in his solo guise–pretty interesting, all in all, see the review on the News Tribune website–I went off to the Saratoga to catch the Reverend Raven and his Chain Smokin’ Altar Boys.

I always did like the Toga, the jazz concerts were always fun. The big photo portraits on the walls of the girls are great; the stateliness of old-fashioned strippers is something else. And the club glitters with all that is not gold: neon and mirrors and chrome, brass and a vast gleaming back bar with bottles like pirate treasure. The place is as red-lit as a womb; this must be what it was like in the months before one was born, warm, welcoming, rosy, and carefree. No wonder we want to go back.

And the Rev himself was doing his reliable crunchy Chicago-style funky blues. A pair of girls with miraculous booties were bestowing their moves on a pair of blissful guys. The girls would make funny faces at each other when the guys weren’t looking. It was wonderful.

And after, the night air was gently swashing around Canal Park like a tropical tide, the coolness rising from the lake but not overpowering the remnant of sunshine that clung to the bricks.

You know, one more month of summer would transform this place. Maybe we’d learn to relax, drop our shoulders, talk about something besides the weather.

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bluesfest begins


bobby rush in another place and time

On a soft Thursday afternoon Bayfront Festival Park looks awfully good. The music had an approriate simplicity–lots of solo acts, emphasis on the roots of the roots. Spider John Koerner in the acoustic tent and Bobby Rush on the main stage did a fine job of laying down the context for all future acts in the fest.

As evening fell the boats on the bay began milling closer to the action. A big white powerboat glided to and fro like a silent shark. Gradually the pink died out of the sky and a midnight blue rose out of the water, picking out the stars that began to appear. A half moon floated over the bay.

Minnesotans–such unlikely blues aficionados! –mostly listened stolidly in their folding chairs, but as Bobby Rush’s elemental blues developed nicely sexy overtones a few souls in the front began to oscillate. A big woman in a black sunsuit had real credibility–the music moved her, and she moved.

Tonight (Thursday) I’ll head over to the ‘Toga for the Reverend Raven. I hope to have some news of it tomorrow for you.

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Well, they almost got here . . . 3 Doors Down

This piece was scheduled to run in the Wave until the concert was cancelled. But I did get to talk to Chris Henderson, the guitar player for 3 Doors Down, and they will be playing the Minnesota State Fair–so hey, maybe you want to read about them. Here you are . . .



A
trio of guys from Escatawpa, Miss. – Brad Arnold, Todd Harrell and Matt Roberts
– started playing together in the early 1990s. They became 3 Doors Down – a
name they got from a broken sign they saw when they were roaming around Foley,
Ala., on an early tour.
    Soon after, Chris Henderson, also from Escatawpa,
brought his guitar skills to the group. Their current fiercely talented drummer,
Greg Upchurch, is the ltest in a series hired to free Brad Arnold, originally the
drummer as well as lead singer, from his traps and put him in front of the band.

    Their humble origins and loyalty to their hometown, to which they still have
ties, are unexpected in Supergroup-land, which is where their sales put them: 18
million albums sold, six No. 1 singles, their new album debuting at No. 1 on the
Billboard charts and moving 150,000 copies the first week. Whether you’re a fan
or not, they are the real thing: musicians first, committed to each other and to
the body of work they’ve produced.

Naming the album
The new album, their
fourth, is self-titled, an unusual choice this far down the road. Why did they
call it
"3 Doors Down"?
    Guitarist Chris Henderson said in an interview
this week, "We just felt it was a good cross-section of what this band was
about. We had put our heart and soul into each of these records and named them
other crap, so it was time."
    The new album is diverse: The songs represent
the whole range of their history together, from the stripped-down, almost-blues
simplicity of Truck  evoking their first album "The Better Life"  to lyrical
ballads reminiscent of "17 Days."
    The band doesn’t seem subject to the usual
battles of personality. Henderson’s been playing and touring with
3 Doors
Down for 10 years: "It was so long ago. It was the only band in town, so it was
the obvious thing to do. I’ve known these guys all my life. If were not friends
by now we never were and we never will be."

Not just an average band
Now
Henderson is 38, and the other guys are around that age as well, with families.
But does a rock band ever grow up?
    "Oh yeah," Henderson said. "We were never
that band anyways; we never got accused of being just punks. Its always about
the music for us. … But of course that’s one of the coolest things about being
in a rock band, right? That you don’t have to grow up."
    But the band has been
pretty grown up for a few years: In 2002 they started the Better Life
Foundation, which benefits causes in their home region.
    "It’s our foundation,
we do pretty much everything," Henderson said. "We take a dollar from every
ticket sold, that goes to the foundation. All year we collect stuff from other
bands we tour with to sell at the auction, and then we do the concert. And every
dollar we raise there goes right to the charities. It benefits women’s and
childrens’ charities, you know, the ones that fall through the
cracks."
    Henderson recounts the story of how it started: "We did a show for
another charity, and we saw how much money we raised  but then we saw how the
organizers lined their pockets … so we decided to do our own. And then
Hurricane Katrina happened; we geared it to that for two years, like we bought a
fire truck and safety equipment for the city of Waveland, La. They lost all
theirs in the hurricane … lots of things."
    Last year the Foundation raised
$200,000 at the annual concert in Biloxi, Miss.

Writing the songs
So how
does a hard-touring band like 3 Doors Down get any songwriting done? They take
time off for it.
"We had a whole year off and we went to write," Henderson
said. "We rented a house [in Nashville] and wrote the record in that house, and
then rented another [in Orlando, Fla.] and recorded it. We lived together and
recorded the album in this house. It took seven months for the whole
process."
    It’s a process they’re all in on, though Arnold is the guy who
writes the words. How does a song get written?
    "All different ways, no real
rhyme or reason to it. It starts with music sometimes, sometimes lyrics,
sometimes a tune, sometimes a rhythm. And they never end up the same as when
they start."
    What’s ahead for the band?
    Henderson says, "We’ll tour.
We’ll tour til there’s no more singles to release, we’ll do Europe and America,
and then we’ll stop and write a new album. That’s kind of what you do in this
business, you just keep truckin’ along."

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How to get your film out there: Ali Selim on mnartists.org

The arts website mnartists.org has an article by Ali Selim, the acclaimed director of "Sweet Land," on how you as a filmmaker can get your film seen. It’s stellar, and comes with a host of links to useful sites for filmmakers. See it here.

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Call for poems: Deadline July 11


The Lake Superior Writers group is doing another book in collaboration with the Northern Printmakers Alliance (they have done a couple previous ones). The title of this one will be "Trail Guide." How can you participate? Check out the prints on the website of Lake Superior Writers under the "Contest" heading (there are many, and they’re really lovely and diverse–only a few are represented here).

Write a poem in response to one or more of the prints. Or if you have one that suits, use that. Then join Lake Superior Writers (how? check the website).


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Sneak Peek! and a call for talent

The Duluth Playhouse has released a list of productions for next season: "Don’t Dress for Dinner" by Marc Camoletti; "It’s a Wonderful Life" by James W. Rodgers; "Steel Magnolias" by Robert Harling; "The Full Monty" by Terrance McNally/David Yazbek; "Doubt, A Parable" by John Patrick Shanley; "Beauty and the Beast" by Wolverton/Menken/Ashman/Rice.

Sound like fun? They also need directors and set, sound, lighting, and costume designers for these shows.

Contact Christine Seitz at 733-7551.

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MnSpin: a contest for musicians: deadline July 7


glorious monster
mnartists.org sponsors MnSpin, a quarterly music contest for Minnesota musicians. Winning tracks from each round of the contest are selected by a different panel of judges from within the music industry, and each week a three-song playlist from the winning submissions will be featured on the mnartists.org and Summit Brewery websites. Quarterly live music showcases will take place at area venues and a compilation CD of music from the yearlong contest is planned.

ben connolly
The current three winners–Round Two victors– are all TC-area players: Glorious Monster, Ben Connelly, and Josiah Wordsworth. These diverse folks put out sounds ranging from electronica to grunge. But hey–they’re all from the Twin Cities, and they’re all guys. How about Duluth women do something about this?

josiah wordsworth
For the current round–round 3–the judges are all women: Andrea Myers, music editor at "City Pages", Pushkar Ohja, music director at Radio K, Melisa Riviere, a hip-hop producer and talent manager who’s studying for her PhD in anthropology at the U of M, and Rachel Joyce, aka DJ Nite Nurse on KFAI radio and assistant director of public relations for the Walker Art Center.

So get yer music to these women by July 7: any and all types of music accepted; only three tracks per musician will be accepted for review. Tracks can be uploaded onto your artist page on mnartists.org (and this will get you to make that page, right?) and then you send a URL of the page by email to mnspin@mnartists.org      You must be a member of mnartists to submit your work; it’s easy to join. Go to mnartists.org and click on "join." For assistance with registration or uploading tracks, email info@walkerart.org or call 612-375-7611.

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An art fair looks for artists

CALL FOR
VENDORS: Still time to enter!

 The Paine Art
Center and Gardens, 1410 Algoma
Blvd, Oshkosh, WI 54901,
invites you
to participate in Faire on the Green

 Sunday, July 13, 2008, 9 am to 4 pm

 FAIRE ON THE
GREEN

Featuring
Original Art, Fine Crafts, and Garden Merchandise

 Please
contact Doris Peitz at info@thepaine.org, call (920) 235-6903 ext.
22 or go to the
event calendar on the Paines web site: www.thepaine.org
  for
more information and a vendor application.

 

 

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